Skip to main content
  • Remind Me Later

REMINDER

By submitting this form, you consent to share your personal information with us to service your request and for communication purposes. We do not sell your data to third parties. If you are below 16 years of age, you are required to obtain prior permission from your legal guardian(s). If you wish to access or erase your personal information, you can do so by submitting your details here
Cancel
24 - Apr
'
(Nearby Event: )
Where:Rams Head On Stage, 33 West Street, Annapolis, Maryland, United States, 21401
a reputation as one of the worlds most imaginative ensembles. Of course, all results are generally due to the sum of the parts, and the individuals involved here all contribute to the common cause. Made up of two sets of siblings -- brothers Enda Scahill (tenor banjo, vocals) and Fergal Scahill (fiddle, viola, dobro, percussion, guitar, mandolin, vocals) and brothers Martin Howley (tenor banjo, mandolin, vocals) and David Howley (lead vocals, guitar) - We Banjo 3 finds a natural symmetry as well as a cohesive chemistry thats been imbued in the band ever since they were initially drawn to one another by their common creative interests. Inspired by the traditional Irish and Americana music they heard growing up, they placed three banjo players in the mix in the beginning, eventually diversifying their sound while broadening their boundaries as well. Likewise, the individual members brought a credence that extended well beyond their family connections. Martin is a seven-time all-Ireland banjo champion and the first Irish musician to perform at the Grand Ole Opry. Enda has recorded with Ricky Skaggs, the Chieftains and many others, aside from being considered as one of the worlds leading authors and authorities on Irish banjo techniques. Fergal has performed with dozens of artists at home and abroad, and is widely recognized as an Irish champion of both fiddle and bodhran. David has been cited as a solo artist of exceptional skill, while Garry is a veteran of work with numerous bands and individual artists. Likewise, the evolution in the groups sound followed a natural progression that evolved early on. Their 2012 debut album, Roots of the Banjo Tree, leaned entirely on banjo music and the various styles implied by that instrumental arsenal. Their critically acclaimed sophomore set, Gather the Good, released in 2014, furthered that vantage point, an aural summation of the impressions and experiences gained while touring the U.S. and their initial introduction to Nashvil
quis to top